Table of Contents
- Can You Really Make a Living as a Dancer?
- Dance Styles and Which Lead to Careers
- Training Pathways: Studio vs Conservatory vs Degree
- Building Your Dance Reel and Portfolio
- Audition Preparation and the Audition Circuit
- Types of Professional Dance Careers
- Dance Agencies and Representation
- Physical Conditioning and Injury Prevention
- Income Expectations by Gig Type
- Career Longevity and Transition Planning
- Key Takeaways
- Frequently Asked Questions
Can You Really Make a Living as a Dancer?

The question of how to become a dancer professionally is asked by thousands of aspiring performers every year, and the honest answer is that it is absolutely possible – but it requires a combination of talent, rigorous training, business savvy, and an almost stubborn resilience. Professional dancers work in a wide range of settings, from Broadway stages and concert tours to music videos, cruise ships, commercial advertising, film and television, theme parks, and corporate events. The Bureau of Labor Statistics reports that there are approximately 13,500 working dancers and choreographers in the United States, with the field expected to grow about 6 percent through 2032.
What surprises many aspiring dancers is that the most successful professionals are not always the most naturally gifted. The dancers who build long, sustainable careers tend to be the ones who approach dance as a business as well as an art. They understand marketing, networking, self-promotion, contract negotiation, and financial planning. They cross-train in multiple styles to maximize their booking opportunities. And they build personal brands that make them memorable to choreographers and casting directors. If you want to know how to become a dancer professionally, you need to be willing to treat your career with the same discipline you bring to your technique.
Dance Styles and Which Lead to Careers
Not all dance styles offer equal professional opportunities, and understanding the commercial landscape is essential for anyone figuring out how to become a dancer professionally. Ballet remains the foundation of most professional dance training, even for dancers who never intend to join a ballet company. The technical discipline, body awareness, and alignment principles that ballet instills translate directly into almost every other dance style. Major ballet companies like American Ballet Theatre, New York City Ballet, and the Royal Ballet hire roughly 60 to 100 dancers each, with fierce competition for every spot.
Contemporary and modern dance offer careers primarily through dance companies like Alvin Ailey American Dance Theater, Batsheva Dance Company, and Martha Graham Dance Company. These companies employ relatively small rosters – typically 15 to 30 dancers – but the work is artistically rewarding and often includes international touring. Contemporary skills are also increasingly in demand for commercial work, music videos, and concert touring.
Commercial dance styles – including hip hop, jazz funk, street styles, and commercial contemporary – are the broadest professional pathway for most working dancers. This is the world of music video work, concert touring for artists like Beyonce, Justin Bieber, and Dua Lipa, commercial advertising, film, and television. The commercial dance market in Los Angeles alone supports thousands of working dancers who piece together a living from multiple gig types. Jazz dance, particularly in its Broadway and theater forms, remains essential for anyone pursuing a career in musical theater.
Latin and ballroom dance styles lead to careers in competitive ballroom (where top professionals can earn $100,000 or more annually from competitions, teaching, and shows), entertainment shows like “Dancing with the Stars,” cruise ship entertainment, and Latin club performance. Tap dance, while more niche, has seen a resurgence in recent years with Broadway shows like “Shuffle Along” and “Bring in ‘da Noise, Bring in ‘da Funk” creating demand for skilled tappers.

Training Pathways: Studio vs Conservatory vs Degree

There are three primary pathways for serious dance training, and the best choice depends on your preferred career direction. Private dance studios and open classes in major cities (particularly Los Angeles and New York) are the most common training ground for commercial dancers. Studios like Millennium Dance Complex, Movement Lifestyle, and Broadway Dance Center in New York offer professional-level classes taught by working choreographers and industry professionals. Taking open classes regularly – often three to five classes per day, five to six days per week – is how most commercial dancers maintain their skills and stay visible to choreographers who may be casting upcoming projects.
Conservatory programs like the Juilliard School, Alvin Ailey/Fordham BFA, and the School of American Ballet provide intensive, immersive training focused almost exclusively on dance technique and performance. Conservatories typically produce dancers who go directly into concert dance companies or Broadway. The training is rigorous – students often take six to eight hours of classes per day – and the connections formed during a conservatory program can open doors for years afterward. Juilliard’s dance program accepts only about 24 students per year from thousands of applicants.
A four-year university BFA or BA in dance provides the broadest education, combining dance training with academic coursework, choreography, dance history, kinesiology, and pedagogy. University programs are particularly valuable for dancers who want to teach, choreograph, or work in arts administration alongside performing. Strong university dance programs include USC Glorya Kaufman School of Dance, NYU Tisch School of the Arts, SUNY Purchase, and University of the Arts in Philadelphia. The BFA degree also provides a credential for teaching positions at the college level, which many dancers pursue as their performing careers transition.
Building Your Dance Reel and Portfolio
In the professional dance world, your reel is your resume. A dance reel – a video compilation of your best performance footage – is the single most important marketing tool for a working dancer. Choreographers, casting directors, and agents review hundreds of reels when casting projects, and a strong reel can get you called into auditions that you would never have access to otherwise. Your reel should be 60 to 90 seconds long for a general submission, showcasing your range across styles, your technical ability, and your performance quality.
Building your reel requires strategic thinking. If you are just starting out and do not have professional performance footage, invest in a professionally shot dance video. Many videographers who specialize in dance content charge $200 to $500 for a session that can produce multiple usable clips. Choose locations with good natural light and clean backgrounds. Film yourself performing choreography that highlights your strengths – if you are a powerful hip hop dancer, lead with that. If you excel at lyrical contemporary, make sure that is prominently featured.
Beyond your reel, maintain an active social media presence. Instagram and TikTok have become essential platforms for professional dancers. Choreographers and casting directors routinely discover talent through social media, and a strong following can directly translate into booking opportunities. Post consistently – at least three to five times per week – showing your training, freestyle, choreography, and behind-the-scenes moments. Use relevant hashtags and tag choreographers, studios, and fellow dancers to increase your visibility within the professional dance community.
Audition Preparation and the Audition Circuit

Auditioning is the lifeblood of a professional dance career, and learning how to become a dancer professionally means learning how to audition effectively. Most professional dance jobs are filled through auditions, which can range from open cattle calls with 300 or more dancers to invite-only sessions with just 10 to 20 pre-selected performers. The audition format typically involves learning choreography quickly – often in as little as 15 to 30 minutes – then performing it in small groups while the choreographer and casting team evaluate.
Preparation for auditions goes far beyond learning choreography quickly. Successful auditioners arrive early, warmed up and ready to dance at full energy from the first combination. They dress strategically – wearing clothing that shows their body lines while being appropriate for the style of the project. For a hip hop tour audition, that might mean fitted joggers and a crop top. For a Broadway audition, it might mean jazz shoes, fitted pants, and a simple top. Your appearance at an audition communicates professionalism and awareness of the industry.
Finding auditions requires constant monitoring of multiple channels. Casting websites like Backstage, Casting Networks, and Dancers Who Act post professional dance auditions daily. Following choreographers and casting directors on Instagram provides access to audition announcements that may not appear on casting websites. Dance agencies send audition notices directly to their signed talent. And word of mouth within the dance community remains one of the most reliable sources of audition information – another reason why taking regular classes and building relationships in the studio is so important.
Rejection is an unavoidable reality of the audition circuit. Even top professionals book only a small percentage of the auditions they attend. A dancer might attend 50 to 100 auditions per year and book five to ten jobs. The ability to handle rejection without letting it erode your confidence is one of the most important psychological skills a professional dancer can develop. Many successful dancers keep an audition log, tracking every audition they attend, what they learned, and what they would do differently next time. This practice turns each audition – whether booked or not – into a learning opportunity.

Types of Professional Dance Careers
Understanding the variety of professional dance careers available is crucial when figuring out how to become a dancer professionally. Each career path has different requirements, compensation structures, and lifestyle implications.
Backup Dancer and Concert Touring
Dancing on concert tours for major recording artists is one of the most lucrative and high-profile dance careers. Tour dancers for A-list artists like Beyonce, Lady Gaga, or The Weeknd can earn $2,000 to $5,000 per show, plus per diem for living expenses while on the road. A major world tour lasting six months to a year can gross a dancer $150,000 to $300,000 or more. However, competition for these positions is extreme – hundreds of dancers may audition for just six to twelve tour spots. The work requires enormous physical stamina, as tours often involve performing high-energy choreography five to six nights per week for months on end.
Broadway and Musical Theater
Broadway dancers are governed by the Actors’ Equity Association union, which sets minimum weekly salaries. As of the most recent contract, the minimum weekly salary for a Broadway ensemble member is approximately $2,300 per week, with many dancers earning above the minimum depending on their role and the production. A dancer in a hit Broadway show that runs for a year or more can earn $120,000 to $150,000 annually with steady employment. National tours of Broadway shows pay similar rates and provide extended employment, often lasting 6 to 18 months.
Music Videos
Music video work pays anywhere from $500 to $3,000 per day depending on the artist, the budget, and whether the dancer has union status. High-budget music videos for major label artists typically pay $1,500 to $3,000 per day for dancers, with shoot days running 10 to 14 hours. Lower-budget independent music videos may pay $350 to $800. Music video work is sporadic – a dancer might book two to three music videos per month during busy periods and go weeks without a booking during slow seasons.







