Blackmagic URSA Mini Pro 4.6K G2 is an expert digital film camera that joins extraordinary 4.6K image quality camera with the features and controls of a conventional broadcast camera. The second era URSA Mini Pro features completely updated hardware and comes with Super 35mm 4.6K HDR image sensor that gives you a lot higher frame rate shooting. You, likewise, get implicit ND filters, a changeable lens mount, Blackmagic RAW help, and both double CFast and SD UHS?II card recorders for catching images at up to 300 frames for each second. There’s even a USBC extension port that gives you a chance to record specifically to flash drives or SSD plates for considerably longer chronicle times. URSA Mini Pro 4.6K G2 features countless controls that are brilliantly positioned on the camera so you can modify most settings by feel, while never taking your eyes off the action. URSA Mini Pro is lightweight and sufficiently comfortable to utilise throughout the day, It has controls that are very quick to use, and image quality that is far better than broadcast cameras costing multiple times more.
So here we go, five reasons you should consider using the digital camera for your next movie
1. Dynamic Range
There are two diverse unique range settings for the Blackmagic URSA Mini Pro: Film and Video. The Film option gives you 15 stops of dynamic range, which gives a crazy measure of play when you’re playing out with the colour grade. This work process is particularly pleasant in the event that you alter and grade with Blackmagic’s DaVinci Resolve programming.
The Video setting is like the Rec 709 colour standard for top quality. So in case you’re doing any run-and-gun work that you have to edit and get out rapidly, this choice is incredible. In case you’re shooting in raw with this camera, be that as it may, you just have the Film setting accessible.
2. Supported Formats
The URSA Mini Pro 4.6k camera enjoys a super 35mm CMOS sensor, offering clients plenty of recording choices. The camera utilises Cinema DNG Raw and Apple ProRes packed codecs, and each codec has an array of flavours. Bolstered codecs incorporate the following:
- Cinema DNG RAW Lossless
- Cinema DNG RAW 3:1
- Cinema DNG RAW 4:1
- ProRes XQ QuickTime
- ProRes 444 QuickTime
- ProRes HQ QuickTime
- ProRes 422 QuickTime
- ProRes LT QuickTime
- ProRes Proxy QuickTime
You can record RAW with a good CFast card, and you can even record crosswise over two cards in the meantime. Edge rate is reliant on the goals, and you can accomplish a limit of 60fps chronicle in 4.6k Lossless Raw. In the event that you need to shoot at 120fps, you’ll have to change to 2k window sensor mode.
3. Accessories
This camera is adaptable. There is plenty of accessories that you can get, both from Blackmagic and from other companies, so you can tweak the rig to work in any condition. These accessories incorporate compatible lens mounts, proficient viewfinders, media recorders, and microphone and shoulder mount units.
4. Physical control buttons
Once more, shooting in a lot of run-and-gun situations will make you truly appreciate fast access to controls. This camera has all that you need directly on the body. When you get your format setup, you wouldn’t have to return in the menu while you’re shooting.
You have actually high-quality built-in ND filters, the majority of the camera controls and sound handles, just as function buttons You can even in a flash change to high frame rate mode with the click of a button. Rapidly turn on cresting, zebras, and different readouts, and view critical data specifically on the outside panel. The panel is effectively noticeable in brilliant daylight, and you can rapidly change the brightness.
5. Connections
The reason this camera has such a large number of accessories is because of the number of connections on the unit. On the back of the camera, you’ll discover four mounting focuses and a Molex connector behind a little spread for attaching battery plates. Both the best and the base of the camera have ¼ inch mounting ports, enabling you to attach accessories, for example, the shoulder base plate or the top handle.
The Blackmagic URSA Mini Pro is broadcast-prepared with 12G-SDI in and out ports, just as a Reference and Timecode In port. You’ll additionally locate a 12V+ power input and an earphone jack on the back of the body. There are two LANC ports for utilising remote controls, which supports record start/stop, just as iris and focus control on good EF lenses. Two XLR ports are covered up underneath an elastic cover at the back end of the top.
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